![]() Those twin objects are fulfilled with a great deal of zeal and enthusiasm, because from the start, not a moment goes by without the school dropout Rahul/Rahulya (Aayush Sharma) glaring and flaring up at those who have grabbed his arrow-straight father’s (Sachin Khedekar) ‘zameen’. The film, based on the Marathi movie ‘Mulshi Pattern’, uses that superstructure to give Aayush Sharma a chance to change his lover-boy image, cemented in the 2018 ‘Loveyatri’, and to give Salman Khan’s fans, pining for their dabangg idol, a chance to re-unite with him. Meanwhile, here we are, watching a film pay lip service, for the millionth time, to the plight of poor farmers, land-grabbers, greedy netas, and other evil people. Can you sit through a masala movie without having to say that no ears were harmed during the watching of the film? Next time, remind me to pick up ear-plugs. Even going by the usual loudness of background music, this one sends it through the roof. First report after watching ‘Antim: The Final Truth’? My ear drums have shattered.
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